In Seeds, Martha Hincapié Charry activated the landscape of Xochimilco through movement, rhythm, and resonance. Her performativeinstallation used seed-laden garments to compose a sonic choreographythat mirrors the invisible flows of water. Rooted in ancestrallistening and the politics of territory, her gestures—together withperformers Luis Beto Ortega and Ernesto Peart Falcón—remind usthat the body is both archive and conduit, carrying memory,fertility, and resistance. The performance, created in collaborationwith local artisans and ecologists, resituates dance as a ritual ofreconnection with the ecosystem.