Nika Chilewich is a curatorial assistant at the Hammer Museum. She is a founding member of the subcritical studies collective Los Yacuzis, who’s most recent show was Melquiades Herrera. Reportaje plástico de un teorema cultural (2019) at the Museo Universitario de Arte Contemporáneo in Mexico City. She holds a B.A. in Latin American Literature from Bard College in New York, and a Masters in Art History and Curatorial Studies from the National Autonomous University of Mexico (UNAM), where her thesis on the work of Fernando Palma received honorable mention. Her curatorial work includes B L I S S (2019), Trapos Sucios (2018), Sabroso Veneno by Radamés ‘Juni’ Figueroa (2017), and Juan Acha: Por una nueva problemática artística with Los Yacuzis at the Modern Art Museum of Mexico, MAM (2016-2018). She also collaborates with the Community Museum and Reading Club of Sierra Hermosa, and in 2018 founded LAR, a non-profit dedicated to supporting female identifying artists. She is a founder and co-editor of Erizo, A Journal of the Arts, a bilingual journal of poetry and art from the Americas published annually

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Nika Chilewich is a curatorial assistant at the Hammer Museum. She is a founding member of the subcritical studies collective Los Yacuzis, who’s most recent show was Melquiades Herrera. Reportaje plástico de un teorema cultural (2019) at the Museo Universitario de Arte Contemporáneo in Mexico City. She holds a B.A. in Latin American Literature from Bard College in New York, and a Masters in Art History and Curatorial Studies from the National Autonomous University of Mexico (UNAM), where her thesis on the work of Fernando Palma received honorable mention. Her curatorial work includes B L I S S (2019), Trapos Sucios (2018), Sabroso Veneno by Radamés ‘Juni’ Figueroa (2017), and Juan Acha: Por una nueva problemática artística with Los Yacuzis at the Modern Art Museum of Mexico, MAM (2016-2018). She also collaborates with the Community Museum and Reading Club of Sierra Hermosa, and in 2018 founded LAR, a non-profit dedicated to supporting female identifying artists. She is a founder and co-editor of Erizo, A Journal of the Arts, a bilingual journal of poetry and art from the Americas published annually

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Nika Chilewich is a curatorial assistant at the Hammer Museum. She is a founding member of the subcritical studies collective Los Yacuzis, who’s most recent show was Melquiades Herrera. Reportaje plástico de un teorema cultural (2019) at the Museo Universitario de Arte Contemporáneo in Mexico City. She holds a B.A. in Latin American Literature from Bard College in New York, and a Masters in Art History and Curatorial Studies from the National Autonomous University of Mexico (UNAM), where her thesis on the work of Fernando Palma received honorable mention. Her curatorial work includes B L I S S (2019), Trapos Sucios (2018), Sabroso Veneno by Radamés ‘Juni’ Figueroa (2017), and Juan Acha: Por una nueva problemática artística with Los Yacuzis at the Modern Art Museum of Mexico, MAM (2016-2018). She also collaborates with the Community Museum and Reading Club of Sierra Hermosa, and in 2018 founded LAR, a non-profit dedicated to supporting female identifying artists. She is a founder and co-editor of Erizo, A Journal of the Arts, a bilingual journal of poetry and art from the Americas published annually

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